The Rest is Noise : Listening to the Twentieth Century

About the book

In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest is Noise is an astonishing history of the twentieth century as told through its music.

Reviews

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Quotes

"The Rest Is Noise is a great achievement. Rilke once wrote of how he learned to stand 'more seeingly' in front of certain paintings. Ross enables us to listen more hearingly." --Geoff Dyer, The New York Times Book Review "[A] Brilliant, hugely enjoyable cultural history." --The Christian Science Monitor "Ross is a surpremely gifted writer who brings together the political and technological richness of the world inside the magic circle of the concert hall, so that each illuminates the other." --Lev Grossman, Time "It would be hard to imagine a better guide to the maelstrom of recent music than Mr. Ross, who worked on this book for a decade. He has an almost uncanny gift for putting music into words." --The Economist "The Rest Is Noise is a long and thrilling ride. . . . [Ross] writes about music in vivid language humming with intelligence. He tells great stories about musicians' lives and illuminates their work with the light of his own experiences." --Kevin Berger, Salon.com "The best book on what music is about--really about--that you or I will ever own." --Alan Rich, LA Weekly

Alex Ross Biography

Nelson Alexander Ross (born January 22, 1970) is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries Marvels, on which he collaborated with writer Kurt Busiek for Marvel Comics. He has since done a variety of projects for both Marvel and DC Comics, such as the 1996 miniseries Kingdom Come, which Ross co-wrote. Since then he has done covers and character designs for Busiek's series Astro City, and various projects for Dynamite Entertainment. His feature film work includes concept and narrative art for Spider-Man and Spider-Man 2, and DVD packaging art for the M. Night Shyamalan film Unbreakable. He has done covers for TV Guide, promotional artwork for the Academy Awards, posters and packaging design for video games, and his renditions of superheroes have been merchandised as action figures. Ross's style, which usually employs a combination of gouache and wash, has been said to exhibit "a Norman-Rockwell-meets-George-Pérez vibe", and has been praised for its realistic, human depictions of classic comic book characters. His rendering style, his attention to detail, and the perceived tendency of his characters to be depicted staring off into the distance in cover images has been satirized in Mad magazine.

Early life

Alex Ross was born in Portland, Oregon, and raised in Lubbock, Texas, by his United Church of Christ minister father, Clark, and his mother, Lynette, a commercial artist from whom he would learn many of the trademarks of his artistic style. Ross first began drawing at age three, and was first influenced by superheroes when he discovered Spider-Man on an episode of the children's TV series The Electric Company.He would later be influenced by comics artists such as John Romita Sr., Neal Adams, George Pérez and Bernie Wrightson, and attempted to imitate Pérez' style when he did superhero work, and Wrightson's when he did what he calls "serious" work. By age 16, Ross discovered the realistic work of illustrators such as Andrew Loomis and Norman Rockwell, and envisioned one day seeing such styles applied to comic book art.At age 17, Ross began studying painting at the American Academy of Art in Chicago, where his mother had studied. During his years there, Ross discovered the work of other artists like J. C. Leyendecker and Salvador Dalí, whose "hyper-realistic quality", Ross saw, was not that far removed from that of comics. It was during this time that he formed the idea to paint his own comic books. Ross graduated after three years.

Career

1990s

After graduating, Ross took a job at an advertising agency as a storyboard artist. Ross's first published comic book work was the 1990 five-issue miniseries, Terminator: The Burning Earth, written by Ron Fortier and published by NOW Comics. Ross created all of the art, from pencils through coloring for the series. He performed similar work on a variety of titles ov ... Read full biography