Chord Chemistry

About the book

Ted Greene's Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.

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Ted Greene Biography

Theodore Greene (September 26, 1946 – July 23, 2005) was an American fingerstyle jazz guitarist, columnist, session musician and educator in Encino, California.

Career

Greene began his own guitar studies at the age of 11, and was an accomplished player while still in high school, occasionally collaborating with local rock and R&B bands. He briefly studied accounting at California State University, Northridge, but dropped out to devote his time to music. In the 1960s he was a member of the rock band Natural Selection and a blues rock group called Bluesberry Jam, which included future Canned Heat drummer Fito de la Parra. He was a friend and collaborator with Joseph Byrd, on whose Columbia Masterworks album The American Metaphysical Circus he was featured (he also provided the whimsical name of the studio band who performed it, "The Field Hippies"). During the late 1960s and early 1970s he did commercial studio work with Byrd. He was again called on in 1977 to provide guitar tablature for three arrangements of Bix Beiderbecke's piano music for the Ry Cooder album Jazz, which Byrd arranged and produced. Although Greene is often regarded as a jazz musician, he played many musical styles. He was known to guitarists for his role as a music educator, which included private teaching, seminars at the Guitar Institute of Technology, columns for Guitar Player magazine, and his instructional books on harmony, chord melody, and single-note soloing. A voracious reader of almost any book on music theory, especially from the common practice period (circa 1600–1900) he distilled complex concepts regarding the structure of western music and would write out more accessible versions for students to understand (handed out to students in the form of lesson "sheets"), often applying keyboard concepts to the guitar. For example, many transcriptions of the chorales of J. S. Bach would be re-written for guitar with useful analysis applicable to any musical setting. He would also make occasional live appearances at clubs in the San Fernando Valley, usually playing a Fender Telecaster. Greene typically worked as a vocal accompanist, which he preferred because he found group settings restrictive. While he was a sought-after session musician, he derived much of his income from tutoring. He wrote four books on the subject of jazz guitar performance and theory: Chord Chemistry, Modern Chord Progressions: Jazz and Classical Voicings for Guitar, and the two-volume Jazz Guitar: Single Note Soloing.His playing style included techniques such as harp-like arpeggios combined with gentle, tasteful neck vibrato, creating a "shimmer" to his sound. Other notable techniques included playing songs with a walking bass line with simultaneous melodies. Greene used counterpoint to improvise in a variety of styles, playing, for instance, a jazz standard such as Autumn Leaves in Baroque style. He used a large variety of chord voicings, often creating the effect of two simultaneous pla ... Read full biography