The Marriage of Heaven and Hell : A Facsimile in Full Color

Author: | William Blake |
Rating: | 4.22 |
Bestsellers Rate: | 22904 |
Publisher: | Dover Publications Inc. |
Book Format: | Paperback |
Binding: | None |
Pages: | 48 |
Hours of reading: | 0.8 hours |
Publication Date: | 2021 |
Languages: | | English | |
Price: | 6,74 € |
Buy this book at the best price:
Biblio.com booksamillion.com abebooks.com ebooks.com biggerbooks.comAbout the book
Once regarded as a brilliant eccentric whose works skirted the outer fringes of English art and literature, William Blake (1757-1827) is today recognized as a major poet, a profound thinker, and one of the most original and exciting English artists. Nowhere is his glorious poetic and pictorial legacy more evident than in The Marriage of Heaven and Hell, which many consider his most inspired and original work. The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy, much of it revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.
Reviews
None
Quotes
None
William Blake Biography
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". In fact, he has been said to be "a key early proponent of both Romanticism and Nationalism". A committed Christian who was hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French and American revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".
Early life
William Blake was born on 28 November 1757 at 28 Broad Street (now Broadwick St.) in Soho, London. He was the third of seven children, two of whom died in infancy. Blake's father, James, was a hosier, who had come to London from Ireland. He attended school only long enough to learn reading and writing, leaving at the age of ten, and was otherwise educated at home by his mother Catherine Blake (née Wright). Even though the Blakes were English Dissenters, William was baptised on 11 December at St James's Church, Piccadilly, London. The Bible was an early and profound influence on Blake, and remained a source of inspiration throughout his life. Blake started engraving copies of drawings of Greek antiquities purchased for him by his father, a practice that was preferred to actual drawing. Within these drawings Blake found his first exposure to classical forms through the work of Raphael, Michelangelo, Maarten van Hee ... Read full biographyAuthors: | William Blake |
Editors: | |
Translators: | |
Illustrators: | |
Publisher: | Dover Publications Inc. |
Imprint: | |
Languages: | | English | |
Original Language: | |
ISBN13: | 9780486281223 |
ISBN10: | 0486281221 |
Series: | |
Reference Edition: | |
Edition: | Facsimile |
Edition Statement: | Facsimile edition |
Illustrations: | 27col.ill. |
Literature Country: | None |
Literature Period: | None |
Book Format: | Paperback |
Book Binding: | None |
Paper: | None |
Font: | None |
Pages: | 48 |
Book Weight: | 77.11 |
Book Dimensions: | 135x180x3.81 |
Circulation: | None |
Publication date: | June 15, 2010 |
First Publication Date: | None |
Publication City/Country: | New York, United States |