This Is Shakespeare : How to Read the World's Greatest Playwright
About the book
A THE TIMES BOOK OF THE YEAR 2019 'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer 'It makes you impatient to see or re-read the plays at once' Hilary Mantel A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean. This is Shakespeare. And he needs your attention.
The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop. This is a model of unpretentious, deeply researched, profoundly approachable criticism. It's a book to give to anyone who loves Shakespeare, but particularly to those who think they don't ... What This Is Shakespeare gives the reader most of all, though, is a licence to enjoy the plays without the cultural and historical baggage they so often carry Alex Preston Observer
The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop. This is a model of unpretentious, deeply researched, profoundly approachable criticism. It's a book to give to anyone who loves Shakespeare, but particularly to those who think they don't ... What This Is Shakespeare gives the reader most of all, though, is a licence to enjoy the plays without the cultural and historical baggage they so often carry -- Alex Preston * Observer * The question that hangs over every new book on Shakespeare is, "Why read this one?" The short answer is, because it is very good indeed. There is no shortage of eminent Shakespeare scholars, and in her role as professor of Shakespeare studies at Oxford, Smith certainly ranks among them; but more importantly for a book like this, she is perhaps the pre-eminent Shakespeare communicator working today ... This is Shakespeare cuts through the accumulated crust of "schoolroom platitudes", cant and literary piety in order to dust Shakespeare off and see him as he is, was, and might be -- Tim Smith-Laing * Daily Telegraph * I like this book very much. It explains accessibly, with learning lightly worn, why Shakespeare retains such a hold in our culture. Smith has done an exemplary job of restoring the greatest of English writers to his own time, and explaining why he then speaks to ours ... An invigorating examination of the pre-eminence of the most revered figure of English letters -- Oliver Kamm * The Times * Quirky, brilliant ... what's most bracing about Smith's book is the way she sees the plays as almost organic: not only contradictory but alive -- Daniel Swift * Spectator * This is Shakespeare wears its learning very lightly, although there are clear signs of that learning in every chapter ... Sane, sensible and suitably woke ... original and provocative analysis -- Lisa Hopkins * Times Higher Education * Thought-provoking, fizzing with jokes ... Smith is celebrating a Shakespeare who talks to the present. She does it all with such a light touch you barely notice how much you're learning ... Anyone who doesn't understand what the fuss is all about should read This Is Shakespeare -- Colin Burrow * Guardian * An outstanding book ... a distillation of intricate conceptual and textual cruces into readable prose ... lively and unexpectedly moving ... curious and passionate ... [It reminds me] why I came to enjoy Shakespeare so much in the first place -- Sophie Duncan * Literary Review * Intriguing ... Smith argues that the defining characteristic of Shakespeare's plays is their 'permissive gappiness'. This must also surely be the first book on Shakespeare to use the slang term 'woke' * Evening Standard * A joy to read, full of questions, surprises, and new ideas. Smith brings us remarkable new readings of Shakespeare, and a sense of how his work lives on the stage. A wonderful book -- Margaret Drabble If I were asked to recommend one guide for readers keen on discovering what's at stake in Shakespeare's plays, This Is Shakespeare would be it. Deeply informed, never dogmatic, and alert to how performance matters, Emma Smith understands that Shakespeare's plays prompt questions rather than provide answers. Her elegantly written and sharply observed book is richly rewarding. -- James Shapiro, author of 1599: A Year in the Life of William Shakespeare A fascinating new perspective and an absolute pleasure to read -- Eimear McBride, author of A Girl is a Half-formed Thing Impeccable ... This is Shakespeare is the ideal book of its moment for unlocking the works of that most miraculous, mysterious and be-pedestalled figure in English literature [...] Smith's fresh approaches reveal something crucial about Shakespeare's ongoing relevance * The Saturday Paper * There's an invigorating frankness to Smith's approach [...] She generously leads an accessible and insightful route towards a provocative, complicating reading of Shakespeare's work. * GLOBE Magazine * Shakespeare pulled from his pedestal and made contemporary...this book is terrific...informative and, more importantly, very enjoyable * This England * Smith salvages Shakespeare from the status of isolated genius, and reveals him as an active participant in his own time and place. In turn, we the audience become active participants in the remaking of Shakespeare...This book puts the pleasure back into the plays, and there is no better reason to read about Shakespeare than that -- Sarah Ditum * The Lancet * Packed with sharp observations and illuminating commentary on the works and their afterlives...acute on the plays' modern resonances and how today's theatre troupes handle Will's less woke moments, such as The Taming of the Shrew. They won't cancel Shakey yet! * The Times Books of the Year 2019 * A brilliant and accessible tour of Shakespeare's plays that is also a radical manifesto for how to read and watch his work. Witty, irreverent and searching, this book shines dazzling new light on the oeuvre of the world's greatest literary genius. * Economist Books of the Year * A tonic ... This Is Shakespeare will, for some time to come, remain required reading for all those with more than a passing interest in Shakespeare ... ['Gappiness' is] a compelling way of evaluating afresh an author about whom we are often told that everything has been said ... Outstanding ... A model for almost everything that Shakespeare criticism for the general reader should be striving to achieve -- Rhodri Lewis * Prospect * Consistently fascinating [...] there's no denying the wit and intelligence [...] nor the dangerous readability of this thoughtful study. -- Alexander Larman * Observer * Praise for previous works by Emma Smith "Emma Smith is a courteous and helpful guide who wears her considerable learning lightly in this enjoyable, well-conceived, well-written book" -- Andrew Hadfield * Irish Times * Praise for previous works by Emma Smith: "A fascinating and provocative book" -- Daniel Swift * Spectator * Praise for previous works by Emma Smith: "Delightful... there is a bite in Smith's exuberant tales of buying, selling and displaying Shakespeare... beautifully judged, impeccably researched yet wry and affectionate" -- Jerry Brotton * Financial Times * Praise for previous works by Emma Smith "Brilliantly approachable and entertaining ... anarchic, counterintuitive, critical ... perfect" -- Alex Preston * Observer * Praise for previous works by Emma Smith "Delightful" * Telegraph *
Emma Smith Biography
Emma Hale Smith Bidamon (July 10, 1804 – April 30, 1879) was an American homesteader, the first wife of Joseph Smith, and a prominent leader in the early days of the Latter Day Saint movement, both during Smith's lifetime and afterward as a member of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS Church). In 1842, when the Ladies' Relief Society of Nauvoo was formed as a women's service organization, she was elected by its members as the organization's first president.After the killing of Joseph Smith Emma remained in Nauvoo rather than following Brigham Young and the mormon pioneers to the Utah Territory. Emma was supportive of Smith's teachings throughout her life with the exception of plural marriage and remained loyal to her son Joseph Smith III in his leadership of the RLDS church.
Early life and first marriage, 1804–1829Emma Hale was born on July 10, 1804, in Harmony Township, Susquehanna County, Pennsylvania, the seventh child of Isaac Hale and Elizabeth Lewis Hale. She was descended of primarily English ancestors, including seven passengers on the Mayflower. Beginning at age eight, she was involved in the local Methodist Episcopal Church in Harmony, reading the Bible and singing hymns. Emma first met her future husband, Joseph Smith, in 1825. Joseph lived near Palmyra, New York, but boarded with the Hales in Harmony while he was employed in a company of men hired by Josiah Stowell to unearth a "Dream Mine". Although the company was unsuccessful in finding the suspected mine, Joseph and Emma secretly met several times at a friend's house. When Joseph asked for Emma’s hand in marriage, Isaac and Elizabeth Hale refused to allow the marriage because they disapproved of Joseph's employment in treasure digging. On January 17, 1827, Joseph and Emma left the Stowell house and traveled to the house of Zachariah Tarbill in South Bainbridge, New York, where they were married the following day. The couple moved to the home of Smith's parents on the edge of Manchester Township, near Palmyra. On September 22, 1827, Joseph and Emma took a horse and carriage belonging to Joseph Knight, Sr., and went to a hill, now known as Hill Cumorah, where Joseph said he received a set of golden plates.: 7 Hiding the plates in his coat, he descended down the hill after many hours, and instead of taking them home, Joseph hid the plates. Shortly after the couple rode away from the hiding place, a small mob came over and searched the wagon for the golden plates. This was considered one of the miracles the couple experienced together. The announcement of Joseph having the plates created a great deal of excitement in the area. In December 1827, with financial support from Martin Harris,: 8 the couple decided to move to Harmony, where they reconciled—to some extent—with Emma's parents. The Hales helped Emma and Joseph obtain a house and a small farm. Once they settled in, Joseph began work on the Book of Mormon, with Emma acting as a scrib ... Read full biography
|Publisher:||Penguin Books Ltd|
|Languages:||| English ||
|Publication date:||April 2, 2020|
|First Publication Date:||None|
|Publication City/Country:||London, United Kingdom|