True and False : Heresy and Common Sense for the Actor

About the book

One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, "interpretation," "sense memory," "The Method"--David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring.

Reviews

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Quotes

Mamet manages to demolish the myths...that pass for theory with regard o acting and directing. . . True and False is a revealing book of the highest order and a pleasure to read--Anthony Hopkins Hard-edged, pragmatic and idealistic. . . . Every actor or would-be actor should read this book.--Chicago Tribune Trenchant...Meet's pared-down, occasionally cryptic prose can make powerful sense.--The New York Times This book should be read and considered by everyone who acts.--Steve Martin

David Mamet Biography

David Alan Mamet (; born November 30, 1947) is an American playwright, filmmaker, and author. He won a Pulitzer Prize and received Tony nominations for his plays Glengarry Glen Ross (1984) and Speed-the-Plow (1988). He first gained critical acclaim for a trio of off-Broadway 1970s plays: The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His plays Race and The Penitent, respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017. Feature films that Mamet both wrote and directed include House of Games (1987), Homicide (1991), The Spanish Prisoner (1997), and his biggest commercial success, Heist (2001). His screenwriting credits include The Postman Always Rings Twice (1981), The Verdict (1982), The Untouchables (1987), Hoffa (1992), Wag the Dog (1997), and Hannibal (2001). Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna (1992). He was the executive producer and a frequent writer for the TV show The Unit (2006–2009). Mamet's books include: On Directing Film (1991), a commentary and dialogue about film-making; The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; and Three War Stories (2013), a trio of novellas about the physical and psychological effects of war.

Early life

Mamet was born in 1947 in Chicago to Lenore June (née Silver), a teacher, and Bernard Morris Mamet, a labor attorney. His family was Jewish. His paternal grandparents were Polish Jews. Mamet has said his parents were communists and described himself as a red diaper baby. One of his earliest jobs was as a busboy at Chicago's London House and The Second City. He also worked as an actor, editor for Oui magazine and as a cab-driver. He was educated at the progressive Francis W. Parker School and at Goddard College in Plainfield, Vermont. At the Chicago Public Library Foundation 20th anniversary fundraiser in 2006, though, Mamet announced "My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign".After a move to Chicago's North Side, Mamet encountered theater director Robert Sickinger, and began to work occasionally at Sickinger's Hull House Theatre. This represented the beginning of Mamet's lifelong involvement with the theater.

Career

Theater

Mamet is a founding member of the Atlantic Theater Company; he first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Ch ... Read full biography