Thinking With Type 2nd Ed

Thinking With Type 2nd Ed
Author: Ellen Lupton
Rating: 4.09
Bestsellers Rate: 2526
Publisher: PRINCETON ARCHITECTURAL PRESS
Book Format: Paperback
Binding: None
Pages: 224
Hours of reading: 3.7 hours
Publication Date: 2021
Languages: | English |
Price: 16,60 €

About the book

"Thinking with Type is to typography what Stephen Hawking's A Brief History of Time is to physics."-I Love Typography The best-selling Thinking with Type in a revised and expanded second edition: Thinking with Type is the definitive guide to using typography in visual communication. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. The book covers all typography essentials, from typefaces and type families, to kerning and tracking, to using a grid. Visual examples show how to be inventive within systems of typographic form, including what the rules are, and how to break them. This revised edition includes forty-eight pages of new content with the latest information on: * style sheets for print and the web * the use of ornaments and captions * lining and non-lining numerals * the use of small caps and enlarged capitals * mixing typefaces * font formats and font licensing Plus, new eye-opening demonstrations of basic typography design with letters, helpful exercises, and dozens of additional illustrations. Thinking with Type is the typography book for everyone: designers, writers, editors, students, and anyone else who works with words. If you love font and lettering books, Ellen Lupton's guide reveals the way typefaces are constructed and how to use them most effectively.

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Quotes

"For any student in need of an overview that covers practice type use and conception, this is the go-to volume." - Omnivoracious---

Ellen Lupton Biography

Ellen Lupton (born 1963) is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the Betty Cooke and William O. Steinmetz Design Chair at Maryland Institute College of Art. Previously she was the Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City and was named Curator Emerita after 30 years of service. She is the founding director of the Graphic Design M.F.A. degree program at Maryland Institute College of Art (MICA), where she also serves as director of the Center for Design Thinking. She has written numerous books on graphic design for a variety of audiences. She has contributed to several publications, including Print, Eye, I.D., Metropolis, and The New York Times.

Early life and education

Lupton was born in Philadelphia, Pennsylvania in 1963 and grew up in Baltimore, Maryland. Her parents divorced in 1973 when she and her twin sister, Julia, were ten years old. As a self-professed "art girl" from a family of English teachers, her love of typography combined her love of art and writing.Lupton attended Cooper Union College in 1981 as a fine art student, where she discovered graphic design and the "expressive potential of typography." Lupton described this discovery of graphic design as "a revelation... Design really wasn't in the mainstream back then. It was esoteric. It was the thing you did if you were very 'neat,' which I wasn't.”

Career

After graduating, Lupton was offered a position as curator of the newly-founded Cooper Union Herb Lubalin Study Center of Design and Typography. This combined her long-standing interests in writing and design in her first curatorial position. With an interest in the do-it-yourself movement, Lupton took advantage of limited resources to visually construct the history of graphic design, surprising peers in her ability to meld the visual and verbal. These exhibits provided an arena in which "objects, images, and text functioned as both the method of communication and the subject of inquiry." At this time, Lupton began to write critically about typography and design, utilizing a post-structuralist framework to understand how design is embedded in political, economic, and social contexts, saying, "Typography and architecture are not neutral containers for the content or programs they are thought to neatly accommodate. These are fundamental insights of modern and post-modern thinking." She has cited Ferdinand de Saussure, Roland Barthes, Jacques Derrida, and Michel Foucault as informing her (albeit more populist) work.In 1992, Lupton joined Cooper Hewitt as curator of contemporary design and began writing books about the design world. She ended her tenure as curator in 2022 and received the honorary designation as curator emerita.In 1997, Lupton became a chair of the undergraduate graphic design program at MICA. She served in this role until 2002. In 2003, she launched a new MFA program in graphi ... Read full biography

Authors: Ellen Lupton
Editors:
Translators:
Illustrators:
Publisher: PRINCETON ARCHITECTURAL PRESS
Imprint:
Languages: | English |
Original Language:
ISBN13: 9781568989693
ISBN10: 1568989695
Series:
Reference Edition:
Edition: Revised
Edition Statement: 2nd Revised edition
Illustrations: None
Literature Country: None
Literature Period: None
Book Format: Paperback
Book Binding: None
Paper: None
Font: None
Pages: 224
Book Weight: 580
Book Dimensions: 180x217x17
Circulation: None
Publication date: Nov. 17, 2010
First Publication Date: None
Publication City/Country: New York, United States

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