Respect for Acting

Categories: | Television | | Theatre Studies | | Acting Techniques |
Respect for Acting
Author: Uta Hagen Haskel Frankel David Hyde Pierce
Rating: 4.18
Bestsellers Rate: 7086
Publisher: John Wiley & Sons Inc
Book Format: Hardback
Binding: None
Pages: 240
Hours of reading: 4.0 hours
Publication Date: 2021
Languages: | English |
Price: 15,24 €

About the book

Respect for Acting "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end." --Publishers Weekly "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal "Uta Hagen's Respect for Acting ...is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." --Los Angeles Times "There are almost no American actors uninfluenced by Uta Hagen." --Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor." --King Features Syndicate

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Uta Hagen Biography

Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre. She later became a highly influential acting teacher at New York's Herbert Berghof Studio and authored best-selling acting texts, Respect for Acting, with Haskel Frankel, and A Challenge for the Actor. Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov. She was elected to the American Theater Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999.

Life and career

Early life

Born in Göttingen, Germany, daughter of Thyra A. (née Leisner), a trained opera singer, and Oskar Hagen, an art historian and musician, Hagen and her family emigrated to the United States in 1924. Though shipping records indicate that he took a position at Cornell University, his new position was in fact at the University of Wisconsin–Madison. Uta was raised in Madison, Wisconsin. She appeared in productions of the University of Wisconsin High School and in summer stock productions of the Wisconsin Players. She studied acting briefly at the Royal Academy of Dramatic Art in 1936. After spending one semester at the University of Wisconsin–Madison, where her father was the head of the department of art history, she left for New York City in 1937. Her first professional role was as Ophelia opposite Eva Le Gallienne in the title role of Hamlet in Dennis, Massachusetts, in 1936.

Career

Hagen was cast, early on, as Ophelia by the actress-manager Eva Le Gallienne. From there, Hagen went on to play the leading ingénue role of Nina in a Broadway production of Anton Chekhov's The Seagull which featured Alfred Lunt and Lynn Fontanne. It was 1938; Hagen was just 18. This experience left an indelible mark on the young actress, as she later reflected, "My next job was Nina in The Seagull, [her Broadway bow] with the Lunts, on Broadway. That sounds incredible, too. They were an enormous influence on my life." She admired "their passion for the theatre, and their discipline. It was a 24-hour-a-day affair, and I never forgot it—never!" The New York Times' critic Brooks Atkinson hailed her Nina as "grace and aspiration incarnate."She played George Bernard Shaw's Saint Joan (1951) on Broadway, and Desdemona in a production which toured and played Broadway, featuring Paul Robeson as Shakespeare's Othello and her then-husband José Ferrer as Iago. She took over the role of Blanche DuBois in A Streetcar Named Desire for the n ... Read full biography

Authors: Uta Hagen Haskel Frankel David Hyde Pierce
Editors:
Translators:
Illustrators:
Publisher: John Wiley & Sons Inc
Imprint:
Languages: | English |
Original Language:
ISBN13: 9780470228487
ISBN10: 0470228482
Series:
Reference Edition:
Edition: None
Edition Statement: 2nd Edition
Illustrations: None
Literature Country: None
Literature Period: None
Book Format: Hardback
Book Binding: None
Paper: None
Font: None
Pages: 240
Book Weight: 364
Book Dimensions: 153x220x22
Circulation: None
Publication date: July 8, 2008
First Publication Date: None
Publication City/Country: New York, United States

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